THE NEW OBJECTIVE COLOUR COMMUNICATION

        Along the colour history, this is the first time, that Science and Art are complemented in a common expression, understandable in all languages of the human activity. Obviously, the colour has been closely bound to art activities, fully opposite to scientific activities. By means of the development of the Santana  Method a new colour lexicon has been worked out by means of which both Art and Science are integrated into an oral and mathematic common language. The subjective colour definition adops a scientific definition and Science establishes the definition of Art in objective and specifically mathematic terms.

        At this stage and for the first time, Science and Art can be evaluated by using the characteristic of the colour thorugh the interpretation of the Santana Method's terminology.

        There is no other method or system that singularizes the name of the colour, by using the characteristic bow degrees of a circular map, in substitution of the light which illuminates the colour in each specific case apart from the Santana Method's terminology applied for the first time.

        If we have a look at any dictionay, including the most prestigious ones, we will suprisingly became aware that the name of the colours contain a wide linguistic ambiguity up to the point where the serious doubt appears what colour we are talking about in each specific case, if we do not have a comparative sample available.

        The termonology of this Method has revolved many of these adversities of a world wide repercussion as far as the colour application and the daily language is concerned.